by landon | Nov 1, 2015 | Articles & Papers
Sound on Sound, November 2015 In the Article – “In a typical small-studio control room, the height and position of the monitors means that reflections from floor, ceiling and side walls all arrive at the listening position at similar times, with the resultant...
by landon | Sep 28, 2015 | Articles & Papers
Audio Media International, September 2015 Vintage King(Nashville, Tenn.) In This Article –”As a follow-up to the ‘How-To’ article in the May issue of AMI, studio designer Carl Tatz explains why his Null Position Ensemble should be adhered to when...
by scherubino | Jun 18, 2015 | Articles & Papers
Mix Magazine, June 2015 Fly By West (Nashville, Tenn.) Carl Tatz Design handled the design of this personal mixing studio for engineer/producer Bob Bullock, whose credits include Reba McEntire, George Strait, Kenny Chesney and others. The facility incorporates...
by scherubino | Jun 18, 2014 | Articles & Papers
Mix Magazine, June 2014 Fly By West (Nashville, Tenn.) The second studio that Carl Tatz designed for engineer/producer Derek West, Fly by West, is built into a former boathouse. The CTD MixRoom includes Tatz’s Signature Series acoustic modules by Auralex, and...
by landon | May 5, 2014 | Articles & Papers
Mix Magazine, May 2014 Opened in February of this year, Yellow Hammer is a 630-square-foot, full-tilt custom Carl Tatz Design studio built from the ground up for film composer Justin Miller in the back yard of his Nashville home. The studio encompasses a CTD MixRoom,...
by scherubino | Feb 18, 2014 | Articles & Papers
Prosound News, February 2014 by Jacques Sonyieux A few years ago, audio engineer Sean Spence wanted to settle down and build a studio in Brentwood, Tennessee, roughly 20 minutes from downtown Nashville. Sounds simple enough. But Sean was a South African and when his...
